Adam Lambert is no stranger to big stages—from global tours with Queen to sold-out solo shows—but his latest turn on Broadway has revealed a new depth to his artistry, and it’s nothing short of electrifying.
On The Tonight Show Starring Jimmy Fallon, Lambert stepped into a haunting green spotlight and transformed the studio into a smoky cabaret, delivering a breathtaking rendition of “I Don’t Care Much.” The performance wasn’t just sung—it was lived. Every note carried the weight of heartbreak, defiance, and quiet despair, echoing straight from the dark heart of pre-war Berlin.
The song, originally featured in the iconic Kander & Ebb musical Cabaret, is one of the emotional centerpieces of Lambert’s Broadway debut as the Emcee—a role he began in September 2024. Since then, he’s brought equal parts glitter, grit, and vulnerability to the production, making the infamous master of ceremonies feel both timeless and shockingly human.
Lambert first released “I Don’t Care Much” as a single back in December, alongside a stunning music video shot in the Kit Kat Club itself, where the current Broadway revival is staged. In interviews, he’s described the song as “a moment of raw emotional surrender”—a reflection of the Emcee’s crumbling mask. The creative team even reworked the key to match Lambert’s signature vocal style, turning the number into a smoldering torch song.
Speaking to Al Roker on TODAY, Lambert called the role a dream come true. “He’s weird, wild, and wonderful,” he said of the Emcee. “People think they know Cabaret, but this version digs deeper. It surprises you.”
Sharing the stage with Moana star Auli’i Cravalho as Sally Bowles, Lambert’s final performance in Cabaret is set for March 29, 2025. After that, the revival continues with a bold new duo: masked country star Orville Peck as the Emcee, and Broadway favorite Eva Noblezada (Hadestown) as Sally, for a special 16-week run starting March 31.
Whether he’s belting arena anthems or unraveling heartbreak under a spotlight, Adam Lambert has once again proven he’s more than a voice—he’s a force. And if this performance is any indication, Broadway might just be his most powerful stage yet.
